At
present scholars are considering these questions:
How
did a region so pluralistic (in the cultural and confessional sense) in
the past change into an uniform one, where people are sometimes suspicious
of intercultural exchange?
Why
are equality and unity, so important for peoples lives in post-Soviet
Central Asia diametrically set against ideas of diversity?
Why
do some people see in diversity the beginnings of danger and distress, but
not wealth?
To
understand something unknown one should translate it into an
understandable language, to familiar system of signs and symbols.
Similarity is recognised by similarity (Aristotle). But why does the
process of understanding new civilisations usually end with the
expansion of similarity?
Central
Asia has always been a bridge of cultural contacts between West (Europe)
and East (China). How did it come about, that at present Central Asia is
on the peripheries of these contacts? (This is connected with sea and air
routes, the weakening of the functions of the Silk Road and other
factors).
What
needs to be done if this is to be revived?
We
know very little about the comprehensive culture of China and Tajikistan!
But nevertheless Tajik myths tell stories, that not only were lapis lazuli
and spinel brought from Tajikistan (Ferghana and Shugnan) to China, but
musical instruments, natural and herbal richness for medical purposes were
also exported. The herbal dog-rose, which is rich with vitamin C, is said
to have been picked in the Gund valley (Shugnan) for the Chinese emperor.
Chinese
myths tell of the original homeland of mankind sacred mountains, in
the west of China the Kun-Lun range, next to the Pamir. This image of
the world mountain in the centre of the universe tells us about the unity
and relationship of human civilisations. The mountain is the image of
world, a sample of the universe. Countries, peoples and civilisations are
its most important components. |